Maz Jackson has spent her life with her family, drawing and painting in East Anglia. The regions landscape and its people enrich her imagery which can be interpreted in many ways and relate to many cultures across the globe. Her award-winning work continues to be exhibited and be collected by galleries, museums and private collections across Europe, Japan, China, USA and Mexico.
Egg tempera has had less restoration than any other medium in art history. Using fifteenth-century techniques of Cennino d’Andrea Cennini, imagery is worked in tempera comprised of ground mineral pigments mixed with egg yolk and distilled…
Egg tempera on gilded oak panel 24 carat gold leaf using 15th century methods38x25cm£3,500
‘Queen of the Brushmakers’
Egg tempera on gilded oak panel 24 carat gold leaf using 15th century methods38x25cm£3,500
‘Thoughts of a Badger’
Egg tempera on gilded oak panel 24 carat gold leaf using 15th century methods10x6cm£400
‘Thoughts of a Wild Boar’
Egg tempera on gilded oak panel 24 carat gold leaf using 15th century methods10x6cm£400
‘Welcome ’
Woodcut Monoprint on Khadi Paper101x70cm£1,200
‘The Negotiators’
Woodcut Print Edition 1/368x100cm£1,100
‘Talking Tribes Playing Cards’
Hand Coloured Lithographs Edition of 1075x50cm£1,500
‘The First of its Kind’
Egg tempera on gilded oak panel Framed31x23cm£2,000
‘Diss Cockrell on a Windy Day’
Indian Ink36x26cm£250
‘In Full Flight’
Woodcut Edition 8/2046x68cm£450
‘Friends’
Woodcut Edition 3/2087x59cm£475
‘Sharing Gifts’
Woodcut47x67cm 2/20£450
‘They who Bring Peace’
Woodcut 7/2047x67cm£450
‘The Gift’
woodcut 4/2067x47cm£450
‘The Grasshopper Sings’
Woodcut Edition 3/2067x47cmSold •
‘Shared Vision’
Woodcut Edition A/P62x45cmSold •
About
Maz Jackson has spent her life with her family, drawing and painting in East Anglia. The regions landscape and its people enrich her imagery which can be interpreted in many ways and relate to many cultures across the globe. Her award-winning work continues to be exhibited and be collected by galleries, museums and private collections across Europe, Japan, China, USA and Mexico.
Egg tempera has had less restoration than any other medium in art history. Using fifteenth-century techniques of Cennino d’Andrea Cennini, imagery is worked in tempera comprised of ground mineral pigments mixed with egg yolk and distilled water. Small, layered brush strokes are laid down on gessoed oak panels between gilded shapes of 24-carat gold leaf. Much time passes between each process. Many drawings of thoughts and ideas form stimuli for the paintings, some also become a series of prints, artist’s books, installations and scrolls.
Artist's Statement
“I have a deep interest in traditions of practice, in colour, line, mark-making and edge. Imagery springs from anything that excites: communication, laughter, touch, tension, flight, landscape, the spaces between and things sacred.”
Biography
Recent Solo Exhibitions:
Basilica San Lorenzo Florence, Italy
Norwich Cathedral Hostry Exhibition Centre, Norwich, UK
Bury St. Edmunds Cathedral Gallery, Bury St. Edmunds, UK
Wymondham Arts Centre, Wymondham, Norfolk, UK
The Forum, Norwich, Norfolk, UK
Questions Under a Green Moon
Egg Tempera on Gesso Panel
5x5.5cm£350
At the Forest Edge
Egg Tempera on Gesso Panel
5x5.5cm£350
Listening to Bees Under a Green Moon
Egg Tempera on Gesso Panel
5x5.5cm£350
King of the Brushmakers
Egg tempera on gilded oak panel 24 carat gold leaf using 15th century methods
38x25cm£3,500
Queen of the Brushmakers
Egg tempera on gilded oak panel 24 carat gold leaf using 15th century methods
38x25cm£3,500
Thoughts of a Badger
Egg tempera on gilded oak panel 24 carat gold leaf using 15th century methods
10x6cm£400
Thoughts of a Wild Boar
Egg tempera on gilded oak panel 24 carat gold leaf using 15th century methods
